At..

 In Morales:

These are the parts that stand out:

0.18 - Begins the piece off with slamming blocks of wood onto the ground.

0.31- A cresendo as well as an accelendro occurs.

0.41- A high pitch instrument joins in to accompany the solo instrument.

0.45- Here it is evident that the piece is in a minor tonality.

1.00- You can hear the ringing of the membranophones.

1.11- Dynamics change from being forte to piano.

1.25- A male voice enters the song, with a chanting sound.

1.42- Another change of dynamics from forte to piano, again.

1.53- Harmony between all the parts, they are all playing in unison.

2.27- A continuing theme repeats itself.

3.14- Slower tempo change.

4.06- Grand Pause for all the instruments.

4.31- Theme returns.

Throughout the next 4 minutes of the piece, the theme is repeated several times.

At 7.33- You can begin to tell the song is coming to the end with the slower tempo.


The piece is 8.31 long.

 In No Day But Today:

These are the parts that stand out:

0.01- Begins the piece with one male voice.

0.10- Another male voice, a tenor enters to sing, the first voice stops.

0.17- A duet between a male tenor and a female alto voice.

0.31- All 6 voices join to sing the theme of the song.

0.36 Harmonizing is seen here with the soprano voice compared to the bass voice.

0.44- A round starts between the male voices and the female voices, at the same dynamic level: forte.

1.08- The piece begins to speed up, an accelendro.

1.30- Then deacclendro back to the orginial tempo.

1.44- The piece is longatto here.
 
1.54- Another accelendro in the background music, gutair and drums etc.

2.03 - Begin to tell the song is coming to an end

2.06- All together singing, "No Day But Today," some in unsions as well as octaves.

The piece is 2.25 long.





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