In Morales: These are the parts that stand out: 0.18 - Begins the piece off with slamming blocks of wood onto the ground. 0.31- A cresendo as well as an accelendro occurs. 0.41- A high pitch instrument joins in to accompany the solo instrument. 0.45- Here it is evident that the piece is in a minor tonality. 1.00- You can hear the ringing of the membranophones. 1.11- Dynamics change from being forte to piano. 1.25- A male voice enters the song, with a chanting sound. 1.42- Another change of dynamics from forte to piano, again. 1.53- Harmony between all the parts, they are all playing in unison. 2.27- A continuing theme repeats itself. 3.14- Slower tempo change. 4.06- Grand Pause for all the instruments. 4.31- Theme returns. Throughout the next 4 minutes of the piece, the theme is repeated several times. At 7.33- You can begin to tell the song is coming to the end with the slower tempo. The piece is 8.31 long. | In No Day But Today: These are the parts that stand out: 0.01- Begins the piece with one male voice. 0.10- Another male voice, a tenor enters to sing, the first voice stops. 0.17- A duet between a male tenor and a female alto voice. 0.31- All 6 voices join to sing the theme of the song. 0.36 Harmonizing is seen here with the soprano voice compared to the bass voice. 0.44- A round starts between the male voices and the female voices, at the same dynamic level: forte. 1.08- The piece begins to speed up, an accelendro. 1.30- Then deacclendro back to the orginial tempo. 1.44- The piece is longatto here. 1.54- Another accelendro in the background music, gutair and drums etc. 2.03 - Begin to tell the song is coming to an end 2.06- All together singing, "No Day But Today," some in unsions as well as octaves. The piece is 2.25 long. |